I’m drawn to what feels remembered.
Old photographs. Faded sheet music. Handwritten letters. Literary fragments. Symbols that have traveled through time.
My mixed media work layers public domain imagery, texture, gold, and ink to build pieces that feel unearthed rather than made. I’m interested in the way history lingers — in faces, in architecture, in stories that refuse to disappear.
These works sit somewhere between archive and imagination — small preserved moments that carry nostalgia, reverence, and quiet narrative.